Set in 1933, Great Depression era, Public Enemies chronicles the epic story of the bank robbing criminals, John Dillinger, his gang and attempts by the FBI to bring them down. Staring Johnny Depp as John Dillinger, Christian Bale as FBI agent Melvin Purvis and Marion Cotillard as Dillinger’s girlfriend Billie Frechette. Screenplay by Ronan Bennett, Ann Biderman, Michael Mann. Directed by Michael Mann.
If you want to see an exemplary Mann film like Heat, this is the one. I would even keep this in the same level as Heat. Yes, it’s that good. Though, I completely enjoyed Collateral and Miami Heat, this one stands apart as one of the best Mann’s films till date. Once again, Mann handles the Cop Vs Criminal drama with an elegant technique. I just realized how many parallels can be run between Public Enemies and Heat. Nevertheless, Public Enemies is a much deeper character study of John Dillinger, the man he was. The most likable factor of Mann handling this character is, there are no expositions. Though Dillinger keeps talking to his girlfriend about his nature, his philosophies and his love, you understand this man from his actions. Mann tunes the audience in synchronization with Dillinger and we enjoy every exploit, he stages. When Dillinger asks Billie, “Want to take this ride with me?” we say “Yes!” to ourselves, because we are in with him. Christian Bale’s Melvin Purvis on the other hand stays a little distant, as it was intended to. We do feel this man but don’t want him to get anywhere near Dillinger. Two suave men in opposite sides of the coin. Both of them, fine in what they do and losing men on this journey. I don’t have to spoil this movie, but you know what happens in the end. You do walk out of the movie hall with a heavy heart and that’s movie magic!
I can’t close out this post without talking about the cinematography. Mann, being the only director who uses Digital Camera in all his movies, has finally brought the complete beauty of this technology. The realism is unmatchable and it takes us back to the era. Substantially sharp, bit grainy and appealing slickness contributes to the élan of this film. Cinematography is an intrinsic part of the movie. The first 15 mins, I was just looking at the stunning visuals. Then I totally forgot about it and was taken away by the world of Dillinger. The noteworthy achievement is, the movie rose above this cinematography.
A film like this needs the best of the performances, in most restrained approach possible. Depp, Bale and Cotillard get the job done with perfection. Johnny Depp is undeniably Dillinger and he owned every one of us in the movie hall. He had the same damn smile – to Billie, it was the most adorable smile and to the cops, it was most vicious smirk ever. After the Pirates’ movies, I was too worried about the “Actor” Depp. Oh yeah, he is back and he is back with a freaking great portrayal of the #1 public enemy.
Christian Bale plays it suave and subtle. You know this guy is a badass and you feel it throughout his presence, but you never see it explicitly. Bale reaches his pinnacle with his delicate glares, intense stares and sharp eyes. There are moments in which you know, he is totally broken inside; but all we see is the man standing taller and stronger. It’s so amazing how Bale managed to live this character.
Marion Cotillard continues to engross us with her quality performances. The moments between her character and Dillinger bestow the flawless illustration of magnificence in having a rough man and a slender beauty together. Marion delivers the love in Dillinger’s life much bigger than all he had ever achieved.
I can almost say that Public Enemies is the best film, I have seen all year. The closest one is Star Trek. Public Enemies is a must watch. It’s a gangster epic presented in Mann’s panache. When the credits started rolling, I was damn sure that this is going to be timeless!